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Pacific Rim (2013)

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I have to say that...
Sunday, May 31, 2020

I have to say that I enjoyed this pure special effects movie quite a lot even though the plot is totally ridiculous. Clumsy giant robots beating at alien beasts with their fists should be better than modern tanks and airplanes with modern explosive and armor penetrating weapons? As I said, a ridiculous story. Well it does not really matter does it because the story gives an excuse for some real cool special effects loaded action. Giant robots and alien Godzillas in the same movie. Cool, simply cool. Once you have gotten past the silliness of the story it is a very entertaining rollercoaster ride of action. The scenes where the robots and aliens go head to head is visually very enjoyable. Sometimes they make you laugh as well. For instance the scene where Gipsy Danger (one of the robots) drags a cargo ship after it to use as a club. Unfortunately a somewhat somber mood is set right from the...

This movie has almost everything...
Sunday, May 31, 2020

This movie has almost everything that is expected from it so just relax lay back with the pop corn and your soft drink and enjoy. Just to make noticeable the remarkable few amount of females featuring in the movie and how bad is that Travis Beacham and Guillermo del Toro just copy Evangelion's idea without giving anything back.

When monstrous, building-sized creatures...
Sunday, May 31, 2020

When monstrous, building-sized creatures (dubbed "kaiju") hell-bent on destruction begin pouring out of an extra-dimensional fissure at the bottom of the Pacific Ocean, humanity bands together to build titanic mechas called jaegers, each controlled simultaneously by two pilots whose minds are linked through a neural bond called "The Drift." As the kaiju get stronger and the signs point to an all-out flood of the beasts, the fate of humanity looks bleak, and the surviving jaegers are brought together for one last-ditch attempt at saving the world. After an agonizingly long five-year wait, filled with some heartbreaking starts and stops (like the almost-weres of The Hobbit and At the Mountains of Madness), Guillermo del Toro has finally returned with his biggest budget and story yet. The Mexican master of fantasy returns to the toybox of his youth, drawing from the kaiju films of old (Godzilla, Gamera, Mothra, and the like) and anime to create...

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